{"id":163,"date":"2015-04-06T10:00:41","date_gmt":"2015-04-06T14:00:41","guid":{"rendered":"http:\/\/caslabs.case.edu\/medren\/?page_id=163"},"modified":"2017-10-30T10:09:33","modified_gmt":"2017-10-30T14:09:33","slug":"trombone-baroque","status":"publish","type":"page","link":"https:\/\/caslabs.case.edu\/medren\/baroque-instruments\/trombone-baroque\/","title":{"rendered":"Trombone (Baroque)"},"content":{"rendered":"<p>The trombone, or sackbut as it is sometimes called today to distinguish it from its modern counterpart, has changed very little from baroque times to today. Perhaps the most obvious difference is an increase in the flare of the bell, creating a louder, brighter tone on today&#8217;s instruments. Like the cornetto, the trombone possesses an Italian chamber repertoire from the early baroque era.<\/p>\n<div class=\"row column-group-1\"><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<div id=\"attachment_165\" style=\"width: 298px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215126\/TrombonesRosen.jpg\"><img aria-describedby=\"caption-attachment-165\" loading=\"lazy\" class=\"wp-image-165 size-full\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215126\/TrombonesRosen.jpg\" alt=\"\" width=\"288\" height=\"169\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215126\/TrombonesRosen.jpg 288w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215126\/TrombonesRosen-100x59.jpg 100w\" sizes=\"(max-width: 288px) 100vw, 288px\" \/><\/a><p id=\"caption-attachment-165\" class=\"wp-caption-text\">Alto, tenor, and bass trombones. Court Musicians of Christian IV (detail, ca.1620) by (?) Reinhold Timm. Copenhagen, Rosenborg Castle.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>\n<\/div><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<div id=\"attachment_164\" style=\"width: 298px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215126\/bass.sackbut2.jpg\"><img aria-describedby=\"caption-attachment-164\" loading=\"lazy\" class=\"wp-image-164 size-full\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215126\/bass.sackbut2.jpg\" alt=\"\" width=\"288\" height=\"61\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215126\/bass.sackbut2.jpg 288w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215126\/bass.sackbut2-100x21.jpg 100w\" sizes=\"(max-width: 288px) 100vw, 288px\" \/><\/a><p id=\"caption-attachment-164\" class=\"wp-caption-text\">Bass trombone (Nuremberg, 1732) by Johann Leonhard Ehe. Vienna, Kunsthistorisches Museum, GM202.<\/p><\/div>\n<p>\n<\/div><\/p>\n<p><\/div>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-163-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233309\/TromboneCastello.mp3?_=1\" \/><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233309\/TromboneCastello.mp3\">https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233309\/TromboneCastello.mp3<\/a><\/audio>\n<p>Trombone with cornetto &amp; continuo. Quarta Sonata \u00e0 2 by Dario Castello (excerpt), performed by Charles Toet, trombone, with Concerto Palatino. Sonate Concertate in Stil Moderno. Accent ACC 9058 D (1990). Trk 11.<\/p>\n<p>&nbsp;<\/p>\n<p>Trombones continued to be used in town bands through the 17th century but, additionally, found frequent use in concerted sacred music. In German-speaking lands, this may have been especially because Martin Luther translated &#8220;Gabriel\u2019s trumpet&#8221; in the Bible as &#8220;Gabriel\u2019s trombone&#8221; (Posaune). Even today, some German towns possess &#8220;church trombones&#8221; that strongly resemble baroque instruments in their smaller bells and softer, more &#8220;blendable&#8221; tone.<\/p>\n<p>&nbsp;<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-163-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2017\/10\/27154508\/TromboneZiani.mp3?_=2\" \/><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2017\/10\/27154508\/TromboneZiani.mp3\">https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2017\/10\/27154508\/TromboneZiani.mp3<\/a><\/audio>\n<p>Trombone with alto voice. Alma redemptoris mater (excerpt) by Marc\u2019 Antonio Ziani (ca.1653-1715), performed by Ernst Hofman and Horst K?bl\u201dck, trombones, with Paul Esswood, alto, and the Concentus Musicus Wien. Kompositionen f\u00fcr Altus. Telefunken 6.4<\/p>\n<p>Trombones were versatile instruments that, unlike many others of the time, could be played without difficulty in any key, in any temperament, and in any transposition.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The trombone, or sackbut as it is sometimes called today to distinguish it from its modern counterpart, has changed very little from baroque times to today. Perhaps the most obvious difference is an increase in the flare of the bell, creating a louder, brighter tone on today&#8217;s instruments. Like the cornetto, the trombone possesses an Italian chamber repertoire from the early baroque era.<\/p>\n<p>Trombone with cornetto &amp; continuo. Quarta Sonata \u00e0 2 by Dario Castello (excerpt), performed by Charles Toet, trombone, with Concerto Palatino. Sonate Concertate in Stil Moderno. Accent ACC 9058 D (1990). Trk 11.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/caslabs.case.edu\/medren\/baroque-instruments\/trombone-baroque\/\" class=\"more-link\">Continue reading&#8230; <span class=\"screen-reader-text\">Trombone (Baroque)<\/span><\/a><\/p>\n","protected":false},"author":223,"featured_media":0,"parent":275,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/163"}],"collection":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/users\/223"}],"replies":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/comments?post=163"}],"version-history":[{"count":4,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/163\/revisions"}],"predecessor-version":[{"id":687,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/163\/revisions\/687"}],"up":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/275"}],"wp:attachment":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/media?parent=163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}