{"id":407,"date":"2015-04-06T14:45:18","date_gmt":"2015-04-06T18:45:18","guid":{"rendered":"http:\/\/caslabs.case.edu\/medren\/?page_id=407"},"modified":"2017-10-30T10:04:36","modified_gmt":"2017-10-30T14:04:36","slug":"recorder-renaissance","status":"publish","type":"page","link":"https:\/\/caslabs.case.edu\/medren\/renaissance-instruments\/recorder-renaissance\/","title":{"rendered":"Recorder (Renaissance)"},"content":{"rendered":"<p>The best known consort instruments of the Renaissance are the recorders. They differ from the transverse flutes by being blown at one end, having a whistle-like mechanism to produce the sound. Praetorius lists eight common sizes of recorder, ranging from what we would call &#8220;sopranino&#8221; down to a contrabass about seven feet long.<\/p>\n<div class=\"row column-group-1\"><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<div id=\"attachment_410\" style=\"width: 229px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215013\/PraeRecorders.jpg\"><img aria-describedby=\"caption-attachment-410\" loading=\"lazy\" class=\"wp-image-410 size-medium\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215013\/PraeRecorders-219x300.jpg\" alt=\"\" width=\"219\" height=\"300\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215013\/PraeRecorders-219x300.jpg 219w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215013\/PraeRecorders-100x137.jpg 100w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215013\/PraeRecorders.jpg 267w\" sizes=\"(max-width: 219px) 100vw, 219px\" \/><\/a><p id=\"caption-attachment-410\" class=\"wp-caption-text\">Recorders. Plate IX from Syntagma Musicum II, De Organographia, by Michael Praetorius (1618-19).<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>\n<\/div><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<p><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215011\/RenRecorder.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-412 size-medium\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215011\/RenRecorder-33x300.jpg\" alt=\"\" width=\"33\" height=\"300\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Tenor Recorder. Bassano family? (early 17th century). Brussels, Mus\u201ae Instrumental, 1025.<\/p>\n<p>\n<\/div><\/p>\n<p><\/div>\n<p>&nbsp;<\/p>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-407-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233247\/01.recorder8-1.mp3?_=1\" \/><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233247\/01.recorder8-1.mp3\">https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233247\/01.recorder8-1.mp3<\/a><\/audio>\n<p>Recorder quartet at 8&#8242; pitch. Italian recorder music. Amsterdam Loeki Stardust Quartet. Editions de l&#8217;Oiseau-Lyre 430 246-2 (1991). Trk 3 Canzon la Bastina (excerpt).<\/p>\n<p>&nbsp;<\/p>\n<p>Praetorius&#8217;s complete range of recorders would not all have been played together, however; a large (or 8&#8242;) consort would typically have used a tenor in C (about two feet long) on the top line down to a great bass in F (about six feet long) on the bass, while a small (or 4&#8242;) consort would have used a soprano in C or D (about a foot long) or an alto in G (about sixteen inches long) on top down to a bass or basset in F (about three feet long). The two groups would thus have sounded an octave apart.<\/p>\n<div class=\"row column-group-2\"><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<p><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215013\/bassetrecorder.jpg\"><img loading=\"lazy\" class=\"aligncenter wp-image-409 size-medium\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215013\/bassetrecorder-29x300.jpg\" alt=\"\" width=\"29\" height=\"300\" \/><\/a><\/p>\n<p>Basset (small bass) Recorder. German? (early 17th century). Brussels, Mus\u00e9e Instrumental, no. 1031.<\/p>\n<p>\n<\/div><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<div id=\"attachment_411\" style=\"width: 139px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215012\/recorderfont.jpg\"><img aria-describedby=\"caption-attachment-411\" loading=\"lazy\" class=\"wp-image-411 size-full\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215012\/recorderfont.jpg\" alt=\"\" width=\"129\" height=\"288\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215012\/recorderfont.jpg 129w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215012\/recorderfont-100x223.jpg 100w\" sizes=\"(max-width: 129px) 100vw, 129px\" \/><\/a><p id=\"caption-attachment-411\" class=\"wp-caption-text\">Basset recorder fontanelle (detail). German? (early 17th century). Brussels, Mus\u00e9e Instrumental, no. 1031.<\/p><\/div>\n<p>\n<\/div><\/p>\n<p><\/div>\n<p><span style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular;font-size: small\">Renaissance recorders do not have as large a range and are not so clear-toned as Baroque recorders, but they blend extremely well together. The instruments also show less decoration than Baroque recorders, using a simple, symmetrical shape. Like the shawms, larger recorders feature a fontanelle \u2014 a &#8220;pepper shaker&#8221; cover for the key mechanism that served both to protect the key and hide its asymmetry. The key itself is often referred to as a &#8220;swallow-tail,&#8221; and its shape allowed the instrument to be played with the left or the right hand down, there being no standard method as there is today. <\/span><span style=\"font-family: Arial, Helvetica, Geneva, Swiss, SunSans-Regular;font-size: large\"><br \/>\n<img loading=\"lazy\" src=\"https:\/\/musicserver.case.edu\/medren\/pics\/2space.gif\" alt=\"\" width=\"2\" height=\"2\" \/><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The best known consort instruments of the Renaissance are the recorders. They differ from the transverse flutes by being blown at one end, having a whistle-like mechanism to produce the sound. Praetorius lists eight common sizes of recorder, ranging from what we would call &#8220;sopranino&#8221; down to a contrabass about seven feet long.<\/p>\n<p>&nbsp;<\/p>\n<p>Recorder quartet at 8&#8242; pitch. Italian recorder music. Amsterdam Loeki Stardust Quartet. Editions de l&#8217;Oiseau-Lyre 430 246-2 (1991). Trk 3 Canzon la Bastina (excerpt).<\/p>\n<p>&nbsp;<\/p>\n<p>Praetorius&#8217;s complete range of recorders would not all have been played together, however;<\/p>\n<p><a href=\"https:\/\/caslabs.case.edu\/medren\/renaissance-instruments\/recorder-renaissance\/\" class=\"more-link\">Continue reading&#8230; <span class=\"screen-reader-text\">Recorder (Renaissance)<\/span><\/a><\/p>\n","protected":false},"author":223,"featured_media":0,"parent":405,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/407"}],"collection":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/users\/223"}],"replies":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/comments?post=407"}],"version-history":[{"count":1,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/407\/revisions"}],"predecessor-version":[{"id":413,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/407\/revisions\/413"}],"up":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/405"}],"wp:attachment":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/media?parent=407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}