{"id":414,"date":"2015-04-06T14:54:22","date_gmt":"2015-04-06T18:54:22","guid":{"rendered":"http:\/\/caslabs.case.edu\/medren\/?page_id=414"},"modified":"2017-10-30T10:04:37","modified_gmt":"2017-10-30T14:04:37","slug":"tabor-pipe","status":"publish","type":"page","link":"https:\/\/caslabs.case.edu\/medren\/renaissance-instruments\/tabor-pipe\/","title":{"rendered":"Tabor Pipe"},"content":{"rendered":"<p>An instrument closely related to the recorder, often seen in depictions of music-making out of doors, is the tabor pipe. Instead of the usual number of finger holes, there are only three\u2014one in back and two in front\u2014so that the player can also beat a drum with the free hand\u2014sort of a one-man dance band.<\/p>\n<div class=\"row column-group-1\"><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<div id=\"attachment_416\" style=\"width: 197px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215011\/PraeP_T.jpg\"><img aria-describedby=\"caption-attachment-416\" loading=\"lazy\" class=\"wp-image-416 size-full\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215011\/PraeP_T.jpg\" alt=\"\" width=\"187\" height=\"288\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215011\/PraeP_T.jpg 187w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215011\/PraeP_T-100x154.jpg 100w\" sizes=\"(max-width: 187px) 100vw, 187px\" \/><\/a><p id=\"caption-attachment-416\" class=\"wp-caption-text\">Pipes &amp; tabor. Plate IX (detail) from Syntagma Musicum II, De Organographia, by Michael Praetorius (1618-19).<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>\n<\/div><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<div id=\"attachment_417\" style=\"width: 298px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215011\/MRtaborpipe.jpg\"><img aria-describedby=\"caption-attachment-417\" loading=\"lazy\" class=\"wp-image-417 size-full\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215011\/MRtaborpipe.jpg\" alt=\"\" width=\"288\" height=\"236\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215011\/MRtaborpipe.jpg 288w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14215011\/MRtaborpipe-100x82.jpg 100w\" sizes=\"(max-width: 288px) 100vw, 288px\" \/><\/a><p id=\"caption-attachment-417\" class=\"wp-caption-text\">Tabor pipe with fiddle and bosun&#8217;s whistle. Portsmouth, Mary Rose Museum.<\/p><\/div>\n<p>\n<\/div><\/p>\n<p><\/div>\n<p>&nbsp;<\/p>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-414-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233247\/02.taborpipe.mp3?_=1\" \/><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233247\/02.taborpipe.mp3\">https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233247\/02.taborpipe.mp3<\/a><\/audio>\n<p>Pipe &amp; tabor with strings. Renaissonics. The Renaissance Dance Band, John Tyson, pipe &amp; tabor. Titanic Ti-232 (1996). Trk 16 Branles (excerpt).<\/p>\n<p>&nbsp;<\/p>\n<p>Following the consort principle, Praetorius shows a number of sizes, but it is unlikely that the larger ones were used much. The instrument shown here was recovered a few years ago from the sunken wreck of the Mary Rose, Henry VIII&#8217;s flagship which sank in the 1540s \u2014 remarkable that after more than four centuries under the sea, it still looks playable.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>An instrument closely related to the recorder, often seen in depictions of music-making out of doors, is the tabor pipe. Instead of the usual number of finger holes, there are only three\u2014one in back and two in front\u2014so that the player can also beat a drum with the free hand\u2014sort of a one-man dance band.<\/p>\n<p>&nbsp;<\/p>\n<p>Pipe &amp; tabor with strings. Renaissonics. The Renaissance Dance Band, John Tyson, pipe &amp; tabor. Titanic Ti-232 (1996). Trk 16 Branles (excerpt).<\/p>\n<p>&nbsp;<\/p>\n<p>Following the consort principle, Praetorius shows a number of sizes, but it is unlikely that the larger ones were used much.<\/p>\n<p><a href=\"https:\/\/caslabs.case.edu\/medren\/renaissance-instruments\/tabor-pipe\/\" class=\"more-link\">Continue reading&#8230; <span class=\"screen-reader-text\">Tabor Pipe<\/span><\/a><\/p>\n","protected":false},"author":223,"featured_media":0,"parent":405,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/414"}],"collection":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/users\/223"}],"replies":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/comments?post=414"}],"version-history":[{"count":2,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/414\/revisions"}],"predecessor-version":[{"id":419,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/414\/revisions\/419"}],"up":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/405"}],"wp:attachment":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/media?parent=414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}