{"id":515,"date":"2015-04-07T11:09:15","date_gmt":"2015-04-07T15:09:15","guid":{"rendered":"http:\/\/caslabs.case.edu\/medren\/?page_id=515"},"modified":"2017-10-30T10:04:36","modified_gmt":"2017-10-30T14:04:36","slug":"organ-renaissance","status":"publish","type":"page","link":"https:\/\/caslabs.case.edu\/medren\/renaissance-instruments\/organ-renaissance\/","title":{"rendered":"Organ (Renaissance)"},"content":{"rendered":"<p>Praetorius was by profession himself an organist and he naturally gives considerable attention to organs in his treatise. Although there were many national differences, the average Renaissance church organ had one or two manuals (rarely three), sometimes a pedalboard, and about ten stops, occasionally including the earliest metal reeds. Of these, he says:<\/p>\n<div class=\"row column-group-1\"><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<div id=\"attachment_517\" style=\"width: 244px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214943\/Comp.organ_.jpg\"><img aria-describedby=\"caption-attachment-517\" loading=\"lazy\" class=\"wp-image-517 size-full\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214943\/Comp.organ_.jpg\" alt=\"\" width=\"234\" height=\"288\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214943\/Comp.organ_.jpg 234w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214943\/Comp.organ_-100x123.jpg 100w\" sizes=\"(max-width: 234px) 100vw, 234px\" \/><\/a><p id=\"caption-attachment-517\" class=\"wp-caption-text\">Organ (1605-10). Esaias Compenius. Hiller\u00f8d, Denmark, Frederiksborg Castle chapel.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>\n<\/div><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<div id=\"attachment_518\" style=\"width: 298px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214943\/OrgRenFr.jpg\"><img aria-describedby=\"caption-attachment-518\" loading=\"lazy\" class=\"wp-image-518 size-full\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214943\/OrgRenFr.jpg\" alt=\"\" width=\"288\" height=\"279\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214943\/OrgRenFr.jpg 288w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214943\/OrgRenFr-100x97.jpg 100w\" sizes=\"(max-width: 288px) 100vw, 288px\" \/><\/a><p id=\"caption-attachment-518\" class=\"wp-caption-text\">French Renaissance organ case by Nicholas Dabenest (1573). Le Grand Andely, Collegiate Church of Notre Dame.<\/p><\/div>\n<p>\n<\/div><\/p>\n<p><\/div>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-515-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233238\/13.organ_.mp3?_=1\" \/><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233238\/13.organ_.mp3\">https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233238\/13.organ_.mp3<\/a><\/audio>\n<p>Organ. Consonanze Stravaganti. Christopher Stembridge, organ. Ars Musici AM 1207-2 (1997). Trk 8 Toccata seconda del none tono naturale (excerpt).<\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;The term &#8216;regal&#8217; may apply to the reed stops generally found in the breastworks of the organ. But this term is also used in royal chapels to designate an instrument in the shape of a small and longish chest containing one or more ranks of reeds, with two sets of bellows attached in back. The regal can be made very soft by placing its cover on, and by taking it off it can be made low enough to sound clearly in a full and well-appointed ensemble of singers and players. It is heard with great pleasure before court banquets and at affairs of honor.&#8221;<\/p>\n<div class=\"row column-group-2\"><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<div id=\"attachment_520\" style=\"width: 298px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214942\/RenPositif.jpg\"><img aria-describedby=\"caption-attachment-520\" loading=\"lazy\" class=\"wp-image-520 size-full\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214942\/RenPositif.jpg\" alt=\"\" width=\"288\" height=\"253\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214942\/RenPositif.jpg 288w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214942\/RenPositif-100x88.jpg 100w\" sizes=\"(max-width: 288px) 100vw, 288px\" \/><\/a><p id=\"caption-attachment-520\" class=\"wp-caption-text\">Renaissance table positif. Anonymous, 16th century. The four iron rods on the right side of the case are the stop pulls. Basel, Historical Museum, No. 1927.258.<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>\n<\/div><\/p>\n<p><div class=\"col-xs-12 col-sm-12 col-md-6 col-lg-6\"><\/p>\n<div id=\"attachment_519\" style=\"width: 298px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214942\/regal.jpg\"><img aria-describedby=\"caption-attachment-519\" loading=\"lazy\" class=\"wp-image-519 size-full\" src=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214942\/regal.jpg\" alt=\"\" width=\"288\" height=\"298\" srcset=\"https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214942\/regal.jpg 288w, https:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14214942\/regal-100x103.jpg 100w\" sizes=\"(max-width: 288px) 100vw, 288px\" \/><\/a><p id=\"caption-attachment-519\" class=\"wp-caption-text\">Regal. Switzerland (late 16th century). Brussels, Mus\u00e9e Instrumental, no. 454.<\/p><\/div>\n<p>\n<\/div><\/p>\n<p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Praetorius was by profession himself an organist and he naturally gives considerable attention to organs in his treatise. Although there were many national differences, the average Renaissance church organ had one or two manuals (rarely three), sometimes a pedalboard, and about ten stops, occasionally including the earliest metal reeds. Of these, he says:<\/p>\n<p>Organ. Consonanze Stravaganti. Christopher Stembridge, organ. Ars Musici AM 1207-2 (1997). Trk 8 Toccata seconda del none tono naturale (excerpt).<\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;The term &#8216;regal&#8217; may apply to the reed stops generally found in the breastworks of the organ. But this term is also used in royal chapels to designate an instrument in the shape of a small and longish chest containing one or more ranks of reeds,<\/p>\n<p><a href=\"https:\/\/caslabs.case.edu\/medren\/renaissance-instruments\/organ-renaissance\/\" class=\"more-link\">Continue reading&#8230; <span class=\"screen-reader-text\">Organ (Renaissance)<\/span><\/a><\/p>\n","protected":false},"author":223,"featured_media":0,"parent":405,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/515"}],"collection":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/users\/223"}],"replies":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/comments?post=515"}],"version-history":[{"count":2,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/515\/revisions"}],"predecessor-version":[{"id":522,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/515\/revisions\/522"}],"up":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/405"}],"wp:attachment":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/media?parent=515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}