{"id":523,"date":"2015-04-07T11:12:29","date_gmt":"2015-04-07T15:12:29","guid":{"rendered":"http:\/\/caslabs.case.edu\/medren\/?page_id=523"},"modified":"2017-10-30T10:04:36","modified_gmt":"2017-10-30T14:04:36","slug":"clavichord-renaissance","status":"publish","type":"page","link":"https:\/\/caslabs.case.edu\/medren\/renaissance-instruments\/clavichord-renaissance\/","title":{"rendered":"Clavichord (Renaissance)"},"content":{"rendered":"

The clavichord was a widely used keyboard instrument in the Renaissance. Praetorius recommends it for beginning keyboard players, in fact, because it was so easy to keep in tune, and because it did not have the harpsichord’s problem of breaking quills.<\/p>\n

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Clavichord. Lady at a Clavichord, drawing by Jan Cornelisz (d.1559). Berlin, Staatsliches Museum, K.d.z.516.<\/p><\/div>\n

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Fretted clavichord from above. Johann Weiss (1702). Munich, Deutsches Museum.<\/p><\/div>\n

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<\/div>\n\nhttps:\/\/artscimedia.case.edu\/wp-content\/uploads\/sites\/146\/2015\/04\/14233238\/14.clavichord.mp3<\/a><\/audio>\n

Clavichord. Philippe Chanel, clavicorde. Gallo CD-545 (1988). Trk 5 Tastar de corde (excerpt).<\/p>\n

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Clavichords of the Renaissance were of the so-called “fretted” type, which is to say that each string could produce three or four different pitches by being struck in different places by metal tangents connected to the three or four corresponding keys. This meant that the number of strings necessary was kept to a minimum, but also that certain pitches could not be sounded simultaneously since they used the same string, and this resulted in a characteristic, rather detached articulation.<\/p>\n

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Fretted clavichord action (detail). South German, ca.1720. Nuremberg, Germanische Nationalmuseum.<\/p><\/div>\n

The real advantage to the clavichord was an expressive one: it was the only keyboard instrument in common use which could produce gradations of loud & soft and even vibrato through the touch of the player’s finger.<\/p>\n","protected":false},"excerpt":{"rendered":"

The clavichord was a widely used keyboard instrument in the Renaissance. Praetorius recommends it for beginning keyboard players, in fact, because it was so easy to keep in tune, and because it did not have the harpsichord’s problem of breaking quills.<\/p>\n

Clavichord. Philippe Chanel, clavicorde. Gallo CD-545 (1988). Trk 5 Tastar de corde (excerpt).<\/p>\n

 <\/p>\n

Clavichords of the Renaissance were of the so-called “fretted” type, which is to say that each string could produce three or four different pitches by being struck in different places by metal tangents connected to the three or four corresponding keys.<\/p>\n

Continue reading… Clavichord (Renaissance)<\/span><\/a><\/p>\n","protected":false},"author":223,"featured_media":0,"parent":405,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"_links":{"self":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/523"}],"collection":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/users\/223"}],"replies":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/comments?post=523"}],"version-history":[{"count":2,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/523\/revisions"}],"predecessor-version":[{"id":529,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/523\/revisions\/529"}],"up":[{"embeddable":true,"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/pages\/405"}],"wp:attachment":[{"href":"https:\/\/caslabs.case.edu\/medren\/wp-json\/wp\/v2\/media?parent=523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}