Although a bone recorder-like instruments were recently found in China dating back about 8,000 years, in western Europe the recorder can be traced only to about the l2th century. Most surviving evidence, in fact, comes as late as the 14th century.

Chinese bone recorders (7-9000 years old). Jiahu, Henan Province, China.

 

Chinese bone recorder (second from the left in the photo). Jiahu, Henan Province, China. Xiao Bai Cai (The Little Cabbage), a Chinese folk song (excerpt).

 

The recorder differs from the transverse flute by being blown at one end, having a whistle-like mechanism to produce the sound. Recorders typically had a thumb hole at the back near the upper end and seven finger holes down the length of the instrument.

Recorder. Manuscript illustration from Histoire de la Bible (late 14th century). New York, Pierpont Morgan Library, M.526, fol. 19v.

 

Recorders with organetto. Triumph of Eternity (tapestry detail). French (ca.1500-10) Cleveland Museum of Art, 60.176.

Recorder with organetto. D’amor ragionando ballades du neo-stilnovo en Italie, 1380-1415. Mala Punica, dir. Pedro Memelsdorff. Arcana A 22 (1995). Trk 7 Movit_a pietade (excerpt).

 

The medieval recorder differed from the now better-known Renaissance and Baroque recorders by being made only in smaller sizes and by having a cylindrical bore which produced a reedier tone than that of its later counterparts.

Recorder trio. Mary, Queen of Heaven (detail, ca.1485). Washington, National Gallery.

Recorder trio. Mary, Queen of Heaven (detail, ca.1485). Washington, National Gallery.